I’m a black and white street photographer working with a Leica M10 Monochrom, a Ricoh GR IV Monochrome and sometimes film.

I am drawn to ordinary places under imperfect light. Airports at 6 a.m., sidewalks at noon, corners where nothing is supposed to happen. That is usually where something does.

My work is built on patience. I wait. I miss frames. I wait again. Street photography is less about hunting and more about listening — to gestures, to shadows, to the quiet choreography of strangers sharing the same space without noticing each other.

Black and white is not nostalgia. It is subtraction. Remove the noise, keep the tension. What remains is structure, contrast, and human geometry.

I am not interested in spectacle. I am interested in small frictions: a glance, a line of light, a figure crossing the frame at the exact wrong — or perfect — second.

This is actually my equipment.

For prints, exhibitions, or collaborations, feel free to get in touch.