We build as if time were an engineering problem. Temples, abbeys, monuments and tombs are raised to preserve gods, power, memory and the comforting fiction that something of us will remain.

Forever, More or Less looks at what happens afterwards. Stone cracks, names fade, grass returns and certainty becomes scenery. These photographs are not about ruins as picturesque objects, but about our stubborn attempts at permanence—and time’s patient habit of correcting them.